© 2026 Seven Bison
© 2026 Seven Bison
© 2026 Seven Bison
SEVENBISON
Show what you can't film.
Premium video & animation for industries that are hard to explain
- where the product is too complex, too regulated, or too invisible for a camera.
Show what you can't film.
Premium video & animation for industries that are hard to explain
- where the product is too complex, too regulated, or too invisible for a camera.
Industries
Deep in three industries.
On purpose.
Expertise doesn't spread thin. We work where video is hardest - and matters most.
Expertise doesn't spread thin.
We work where video is hardest - and matters most.
Energy & Industrial
Subsea cables, carbon capture, heat pumps, construction tech. Engineering-grade 3D, process animation, and AI-driven brand films - trusted by Hilti Global with their first AI video, and by energy majors to show what a camera crew never could. No stopped lines, no site permits, no 20-tonne machine on a truck.
Software & Technology
Your product is invisible: code, data, models, payment rails, platform logic. We make it tangible - no generic screen recordings, no stock, no clichés. Explainers and launch films precise enough to survive technical scrutiny, clear enough for the board.
Healthcare & Life Sciences
MOA animations, HCP education, patient communications - and consumer pharma campaigns with real reach (3M+ views for Orion Pharma. Scientifically accurate, built for review: annotated references, storyboard sign-off, and the visual quality your congress booth deserves. Biology no camera can reach.
Industries
Deep in three industries.
On purpose.
Expertise doesn't spread thin. We work where video is hardest - and matters most.
Energy & Industrial
Subsea cables, carbon capture, heat pumps, construction tech. Engineering-grade 3D, process animation, and AI-driven brand films - trusted by Hilti Global with their first AI video, and by energy majors to show what a camera crew never could. No stopped lines, no site permits, no 20-tonne machine on a truck.
Software & Technology
Your product is invisible: code, data, models, payment rails, platform logic. We make it tangible - no generic screen recordings, no stock, no clichés. Explainers and launch films precise enough to survive technical scrutiny, clear enough for the board.
Healthcare & Life Sciences
MOA animations, HCP education, patient communications - and consumer pharma campaigns with real reach (3M+ views for Orion Pharma. Scientifically accurate, built for review: annotated references, storyboard sign-off, and the visual quality your congress booth deserves. Biology no camera can reach.
Our clients
Our clients
Trusted by teams at
Four years of delivering for enterprise brands - directly, and as the production partner behind agencies in the US and Europe.
Selected work
Selected work
The work speaks first.
The work speaks first.
The next one could be yours.
Seen enough?
AI (approach)
AI (approach)
We use AI.
And we are good at it.
Generative AI does two things well for our clients, photoreal footage without the shoot and cinematic worlds that used to need a blockbuster budget. We use it for those and we finish everything by hand.
The result: flagship-campaign quality as the baseline - and no shoot days on your calendar.
(001)
The shot that would need a location
Factory floors, aerial passes, cityscapes, product in context. Footage that used to mean travel, crew, permits and weather risk — built to an agreed art direction instead.
The shot that would need a location
(002)
Worlds that never existed and never pretend to
Sci-fi, conceptual, abstract. Cinematic worldbuilding that used to need a blockbuster budget is now a creative decision — and nobody feels misled by a spaceship.
Worlds that never existed and never pretend to
(003)
Getting to the answer faster
Look development that used to take weeks takes days. More directions on the table early, decisions made sooner, and the calendar spent on craft rather than on scheduling.
Getting to the answer faster
(004)
Footage you already own
Extending a plate, filling a gap in a library, building a shot that was missed on the day. Some of our best work with it never looks like AI at all.
Footage you already own
(005)
Animation, increasingly
Generation could always make a photoreal shot and could not animate. That is changing, and we test it on live work as it improves. It still has real limits, so where a sequence has to be exact we build it the traditional way. It is moving quickly and we would rather be across it than behind it.
Animation, increasingly
(001)
The shot that would need a location
Factory floors, aerial passes, cityscapes, product in context. Footage that used to mean travel, crew, permits and weather risk — built to an agreed art direction instead.
The shot that would need a location
(002)
Worlds that never existed and never pretend to
Sci-fi, conceptual, abstract. Cinematic worldbuilding that used to need a blockbuster budget is now a creative decision — and nobody feels misled by a spaceship.
Worlds that never existed and never pretend to
(003)
Getting to the answer faster
Look development that used to take weeks takes days. More directions on the table early, decisions made sooner, and the calendar spent on craft rather than on scheduling.
Getting to the answer faster
(004)
Footage you already own
Extending a plate, filling a gap in a library, building a shot that was missed on the day. Some of our best work with it never looks like AI at all.
Footage you already own
(005)
Animation, increasingly
Generation could always make a photoreal shot and could not animate. That is changing, and we test it on live work as it improves. It still has real limits, so where a sequence has to be exact we build it the traditional way. It is moving quickly and we would rather be across it than behind it.
Animation, increasingly
(001)
The shot that would need a location
Factory floors, aerial passes, cityscapes, product in context. Footage that used to mean travel, crew, permits and weather risk — built to an agreed art direction instead.
The shot that would need a location
(002)
Worlds that never existed and never pretend to
Sci-fi, conceptual, abstract. Cinematic worldbuilding that used to need a blockbuster budget is now a creative decision — and nobody feels misled by a spaceship.
Worlds that never existed and never pretend to
(003)
Getting to the answer faster
Look development that used to take weeks takes days. More directions on the table early, decisions made sooner, and the calendar spent on craft rather than on scheduling.
Getting to the answer faster
(004)
Footage you already own
Extending a plate, filling a gap in a library, building a shot that was missed on the day. Some of our best work with it never looks like AI at all.
Footage you already own
(005)
Animation, increasingly
Generation could always make a photoreal shot and could not animate. That is changing, and we test it on live work as it improves. It still has real limits, so where a sequence has to be exact we build it the traditional way. It is moving quickly and we would rather be across it than behind it.
Animation, increasingly
Ongoing partnership
Ongoing partnership
One team. Monthly rhythm. Every launch covered.
The Video Partner Plan is video-as-a-subscription for brands with recurring content needs - explainers, product films, social cutdowns and motion assets delivered on a predictable monthly cadence. No re-briefing, no vendor friction, no ramp-up every time a new market needs content.
What clients say
What clients say
Don't take our word for it.
5.0
5.0
/5
We deliver projects that help companies generate real results.
Trusted by
clients worldwide
Dieter Kahsnitz
MANAGING DIRECTOR & CREATIVE DIRECTOR · 50 KAL COMMUNICATIONS
Seven Bison are a world-class animation and GFX company. Super professional, incredibly responsive, and creatively first class.
Dieter Kahsnitz
MANAGING DIRECTOR & CREATIVE DIRECTOR · 50 KAL COMMUNICATIONS
Seven Bison are a world-class animation and GFX company. Super professional, incredibly responsive, and creatively first class.
Magdalena Kardela
MARKETING DIRECTOR · TELE-FONIKA KABLE
They translate complex, highly technical content into clear, visually engaging stories that communicate both precision and innovation.
Magdalena Kardela
MARKETING DIRECTOR · TELE-FONIKA KABLE
They translate complex, highly technical content into clear, visually engaging stories that communicate both precision and innovation.
Mark DePasquale
DIRECTOR & VFX SUPERVISOR · ATLANTIC PICTURES
The whole Seven Bison team is incredibly professional and super talented. They elevate every project they’re involved with. Truly can’t recommend them enough.
Mark DePasquale
DIRECTOR & VFX SUPERVISOR · ATLANTIC PICTURES
The whole Seven Bison team is incredibly professional and super talented. They elevate every project they’re involved with. Truly can’t recommend them enough.
Founder
at Seven Bison
Szymon Wojewski
Szymon "Shim" Wojewski learned video the hard way: cutting news at Bloomberg and Getty Images, where the deadline is not a discussion - then shooting studio sessions and marketing content for Warner Music artists. (He met Ed Sheeran before he was famous, and yes, he'll bring it up.)
Founder
at Seven Bison
Szymon Wojewski
Szymon "Shim" Wojewski learned video the hard way: cutting news at Bloomberg and Getty Images, where the deadline is not a discussion - then shooting studio sessions and marketing content for Warner Music artists. (He met Ed Sheeran before he was famous, and yes, he'll bring it up.)
Founder
at Seven Bison
Szymon Wojewski
Szymon "Shim" Wojewski learned video the hard way: cutting news at Bloomberg and Getty Images, where the deadline is not a discussion - then shooting studio sessions and marketing content for Warner Music artists. (He met Ed Sheeran before he was famous, and yes, he'll bring it up.)
Editorial discipline,
built into the studio.
Editorial discipline,
built into the studio.
Every discovery call goes through
Shim directly.
You scope your project with the person who built the studio. From there a dedicated team runs production day to day, and Shim steps back in the moment anything needs him.
Newsroom discipline plus music-industry craft is the studio's DNA: work that ships on time, holds up under scrutiny, and still looks like something you'd watch by choice.
FAQ.
FAQ.
The questions buyers actually ask.
Rewritten to answer with the work rather than with reassurance. AI generates raw visual material; experienced video artists decide what's good enough to keep, and all motion design and finishing stay handmade. If a shot looks like "AI slop," it doesn't ship. You approve the look before production starts.
Your brand guidelines, IP constraints and regulatory requirements are inputs to production, not an afterthought. For healthcare that means annotated references and storyboard sign-off built for MLR review; for fintech, claims your compliance team can substantiate; for industrial, technical accuracy your engineers sign off on.
A typical explainer or product film runs 3–4 weeks from brief to final. Accelerated timelines are possible when the brief is tight - ask on the call.
Every project is quoted individually — a 40-second 2D explainer and a cinematic 3D film are different animals, so a one-size price would mean someone overpays. What we commit to: a fixed quote after one scoping call, no day rates, no surprise line items, and the number doesn't move unless the brief does. Recurring needs run through the Video Partner Plan on a monthly subscription.
You do. Full usage rights to final deliverables across all your channels and markets.
Two rounds at every stage — script, storyboard/style-frames, and edit — so changes happen where they're cheap, not after final render. And since final touches to script and storyboard carry into the next stage, you effectively get a third round on both.
Yes — about half our history is white-label production for creative and marketing agencies. Same team, same quality, your paper.
Rewritten to answer with the work rather than with reassurance. AI generates raw visual material; experienced video artists decide what's good enough to keep, and all motion design and finishing stay handmade. If a shot looks like "AI slop," it doesn't ship. You approve the look before production starts.
Your brand guidelines, IP constraints and regulatory requirements are inputs to production, not an afterthought. For healthcare that means annotated references and storyboard sign-off built for MLR review; for fintech, claims your compliance team can substantiate; for industrial, technical accuracy your engineers sign off on.
A typical explainer or product film runs 3–4 weeks from brief to final. Accelerated timelines are possible when the brief is tight - ask on the call.
Every project is quoted individually — a 40-second 2D explainer and a cinematic 3D film are different animals, so a one-size price would mean someone overpays. What we commit to: a fixed quote after one scoping call, no day rates, no surprise line items, and the number doesn't move unless the brief does. Recurring needs run through the Video Partner Plan on a monthly subscription.
You do. Full usage rights to final deliverables across all your channels and markets.
Two rounds at every stage — script, storyboard/style-frames, and edit — so changes happen where they're cheap, not after final render. And since final touches to script and storyboard carry into the next stage, you effectively get a third round on both.
Yes — about half our history is white-label production for creative and marketing agencies. Same team, same quality, your paper.
Rewritten to answer with the work rather than with reassurance. AI generates raw visual material; experienced video artists decide what's good enough to keep, and all motion design and finishing stay handmade. If a shot looks like "AI slop," it doesn't ship. You approve the look before production starts.
Your brand guidelines, IP constraints and regulatory requirements are inputs to production, not an afterthought. For healthcare that means annotated references and storyboard sign-off built for MLR review; for fintech, claims your compliance team can substantiate; for industrial, technical accuracy your engineers sign off on.
A typical explainer or product film runs 3–4 weeks from brief to final. Accelerated timelines are possible when the brief is tight - ask on the call.
Every project is quoted individually — a 40-second 2D explainer and a cinematic 3D film are different animals, so a one-size price would mean someone overpays. What we commit to: a fixed quote after one scoping call, no day rates, no surprise line items, and the number doesn't move unless the brief does. Recurring needs run through the Video Partner Plan on a monthly subscription.
You do. Full usage rights to final deliverables across all your channels and markets.
Two rounds at every stage — script, storyboard/style-frames, and edit — so changes happen where they're cheap, not after final render. And since final touches to script and storyboard carry into the next stage, you effectively get a third round on both.
Yes — about half our history is white-label production for creative and marketing agencies. Same team, same quality, your paper.
Got something that's hard to explain?
Let's show it.
Got something that's hard to explain?
Let's show it.
Got something that's hard to explain?
Let's show it.
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